Eunkang Koh
Primal Urges: Coyotes, relief on hanji and beeswax, 224 inches x 238 x144 inches, 2024
Primal Urges: Coyotes relief on hanji and beeswax, detail shot, 2024
The Landscape of Canadian Geese(triptych), relief, monotype, screen printing, sewing on Moshi, detail shot, 2025
Canadian Geese, relief on hanji, detail shot, 2025
In my artwork, I draw from the human circumstances that flourish between reality and perception. Born and raised in the Korean myth culture and adopting Buddhist philosophy, I assume that the world we are living in is not real but is an illusion that we perceive. I doubt that there is anything like truth in a concrete sense. I aim to create my own illusion in my art. My images are my way of seeing the world without pretense.
Inspired by animals in the Sierra Nevada mountains and forests, my imagination flourishes images of human and animal mixed creatures, which will act somewhat like their own animal species but has somewhat human elements simultaneously. The mixture of animals and human are merged into hybrid creatures and the distinction between the species has become blurred and not easy to be distinguished. They are closely allied with the human life world and live among us but yet coexist as living beings rather than as conquered, controlled, and owned objects. These creatures and the society they live in is a world where social communication, mannerism and life activities reside in their own terms. They portray ironic gestures that create a mixture of humor and grotesqueness, reflecting life in our society.
My work has an element and sprit of Min-Hwa which is an old traditional Korean art created by the working-class people in the 16th to early 20th century. In Min-Hwa, humanized animal and human characters are described as whimsical & humorous, yet critical and satirical of society. I bring the spirit of Min-Hwa into a contemporary version with my own perspective, as an artist living in Reno, Nevada. My work shows a diaspora of Korean identity that is altered and modified while I am looking at the environment of the Sierra Nevada through the lenses of Korean identity.
To express my philosophy, I use various types of printmaking such as relief, intaglio, screen printing, as well as digital process, and new technology like laser cutter and 3D printer and combine them with sewing, ceramics, installation, etc.
Eunkang Koh received her B.F.A. from Hong-Ik University in Seoul, South Korea and M.F.A. from California State University, Long Beach, California. Koh sees within our contemporary society a new illusion created by a systemic world since the invention of the internet and social media. She works in various media- printmaking, bookart, drawing, painting and installation to address human desires.
Eunkang has shown her devotion to art and the art making process. She has had significant solo exhibitions that include Main Gallery, The Society of Northern Alberta Print-Artists in Edmonton, Alberta, Canada; and La Taller in Bilbao, Spain. Koh also has participated national and international group exhibitions such as Centro Civico Pati Limona in Barcelona, Spain; Art Space Jungmiso in Seoul, South Korea; Mei Lun Gallery at Huan Fine Art Institute in Changsha, China; Nevada Museum of Art and Central Booking in New York City, New York. Koh has been invited to artist-in-residencies including Seacourt, Bangor, Northern Ireland, Frans Masereel Centrum in Kasterlee, Belgium; Gualan Original Printmaking Base in Shenzhen, China; Chhaap Printmaking Studio in Baroda, India and Kala Art Institute in Berkeley, California.
Koh is Professor in printmaking in the Department of Art, Art History and Design at the University of Nevada Reno.

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